1663 AESCHYLUS TRAGEDIES antique VELLUM BOUND FOLIO w/ LATIN & GREEK TEXT
1663 AESCHYLUS TRAGEDIES antique VELLUM BOUND FOLIO w/ LATIN & GREEK TEXT
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Aeschylus. Tragoediæ Septem: cum Scholiis Græcis omnibus...versione & commentario Thomæ Stanleii. London: Jacob Flesher, 1663Title in red and black. Engraved portrait inserted. [4], [28], 886, pages, including half-title. Small folio: 8 1/4 by 12 3/4"Original vellum stamped in blind; spine with raised bands, damaged, lacks tiesVery good interiorwith George Cady bookplate.Text in Greek and Latin"The merits of this celebrated edition are sufficiently known." - Dibdin I, pages 238-39===================================Aeschylus (c.?525/524 – c.?456/455 BC) was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays.According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.Only seven of Aeschylus's estimated 70 to 90 plays have survived in complete form. There is a long-standing debate regarding the authorship of one of them, Prometheus Bound, with some scholars arguing that it may be the work of his son Euphorion. Fragments from other plays have survived in quotations, and more continue to be discovered on Egyptian papyri. These fragments often give further insights into Aeschylus' work.He was likely the first dramatist to present plays as a trilogy. His Oresteia is the only extant ancient example. At least one of his plays was influenced by the Persians' second invasion of Greece (480–479 BC). This work, The Persians, is one of very few classical Greek tragedies concerned with contemporary events, and the only one extant. The significance of the war with Persia was so great to Aeschylus and the Greeks that his epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright.=====================Please see my other auctions Thank You
Refund Policy: We will issue a FULL REFUND, 100% money back if you are not satisfied with your purchase. Items must be returned to us within 20 days in order to receive a refund or replacement. Buyer is responsible for shipping costs.
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Aeschylus.
Tragoediæ Septem: cum Scholiis Græcis omnibus...
versione & commentario Thomæ Stanleii.
London: Jacob Flesher, 1663
Title in red and black.
Engraved portrait inserted. [4], [28], 886, pages, including half-title.
Small folio: 8 1/4 by 12 3/4"
Original vellum stamped in blind; spine with raised bands, damaged, lacks ties
Very good interior
with George Cady bookplate.
Text in Greek and Latin
"The merits of this celebrated edition are sufficiently known." - Dibdin I, pages 238-39
===================================
Aeschylus (c.?525/524 – c.?456/455 BC) was an ancient Greek tragedian often described as the father of tragedy.
Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays.
According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Only seven of Aeschylus's estimated 70 to 90 plays have survived in complete form. There is a long-standing debate regarding the authorship of one of them, Prometheus Bound, with some scholars arguing that it may be the work of his son Euphorion. Fragments from other plays have survived in quotations, and more continue to be discovered on Egyptian papyri. These fragments often give further insights into Aeschylus' work.
He was likely the first dramatist to present plays as a trilogy. His Oresteia is the only extant ancient example.
At least one of his plays was influenced by the Persians' second invasion of Greece (480–479 BC).
This work, The Persians, is one of very few classical Greek tragedies concerned with contemporary events, and the only one extant.
The significance of the war with Persia was so great to Aeschylus and the Greeks that his epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright.
=====================
Please see my other auctions
Thank You
Refund Policy: We will issue a FULL REFUND, 100% money back if you are not satisfied with your purchase. Items must be returned to us within 20 days in order to receive a refund or replacement. Buyer is responsible for shipping costs.
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- Topic:Poetry
- Binding:Vellum
- Subject:Literature & Fiction
- Language:Greek
- Original/Facsimile:Original
- Year Printed:1663