1867 ILLUSTRATIONS of the ROOD SCREEN in RANWORTH antique ILLUSTRATED FOLIO

ILLUSTRATIONS of the ROOD SCREEN in RANWORTH published under the direction of Norfolk and Norwich Archeologival SocietyDrawn and lithographed by C.J.W.WinterNorwich; 1867Large folio: 11 by 15"Fully illustratedPaper binding with cloth spineCovers worn with some damaged to the edgesVery good interiorText in English=================================The Ranworth rood screen at Church of St Helen, Ranworth, Norfolk, is a wooden medieval rood screen that divides the chancel and nave, and was originally designed to act to separate the laity from the clergy. It is described by English Heritage as "one of England's finest painted screens"The exact date of the creation of the screen is undocumented—a date of c.?1479–1480 has been proposed by modern experts. The screen has an elaborate and coherent design, depicting 26 figures, including 12 named Apostles in the central part of the screen. The southern end, which was designed as a Lady Chapel, has panel paintings of the Virgin Mary and three other female saints.They all have a connection with childbirth and babies, which may have had a special significance for the women of the parish; it has been suggested that during the Middle Ages, women who had recently given birth came to the altar to be blessed, signifying thanks for their survival and their return from their period of lying-in.Ranworth's rood screen survived the iconoclasm of the English Reformation. It is relatively well-preserved, but the loft parapet above the screen has not survived. Drawings of it were made in 1839 by Harriet Gunn, and it was described in detail in the 1870s. The panels at Ranworth were restored by Pauline Plummer during the 1960s and 1970s.In 1937, the art historian Audrey Baker identified a group of East Anglian parish churches with medieval panels related to those at Ranworth; since then, screens and panel paintings from other churches have been suggested, all dating from 1470 – c.?1500. The Ranworth group is also related by the way the framed were jointed during construction, and the depiction of tiles and the use of similar and identical stencils in the panel paintings. There is evidence that the rood screens were made in the same workshop before being painted by unnamed artists in situ.==========================Please see my other auctions Thank You Refund Policy: We will issue a FULL REFUND, 100% money back if you are not satisfied with your purchase. Items must be returned to us within 20 days in order to receive a refund or replacement. Buyer is responsible for shipping costs. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ILLUSTRATIONS of the ROOD SCREEN in RANWORTH published under the direction of Norfolk and Norwich Archeologival Society Drawn and lithographed by C.J.W.Winter Norwich; 1867 Large folio: 11 by 15" Fully illustrated Paper binding with cloth spine Covers worn with some damaged to the edges Very good interior Text in English ================================= The Ranworth rood screen at Church of St Helen, Ranworth, Norfolk, is a wooden medieval rood screen that divides the chancel and nave, and was originally designed to act to separate the laity from the clergy. It is described by English Heritage as "one of England's finest painted screens" The exact date of the creation of the screen is undocumented—a date of c.?1479–1480 has been proposed by modern experts. The screen has an elaborate and coherent design, depicting 26 figures, including 12 named Apostles in the central part of the screen. The southern end, which was designed as a Lady Chapel, has panel paintings of the Virgin Mary and three other female saints.They all have a connection with childbirth and babies, which may have had a special significance for the women of the parish; it has been suggested that during the Middle Ages, women who had recently given birth came to the altar to be blessed, signifying thanks for their survival and their return from their period of lying-in. Ranworth's rood screen survived the iconoclasm of the English Reformation. It is relatively well-preserved, but the loft parapet above the screen has not survived. Drawings of it were made in 1839 by Harriet Gunn, and it was described in detail in the 1870s. The panels at Ranworth were restored by Pauline Plummer during the 1960s and 1970s. In 1937, the art historian Audrey Baker identified a group of East Anglian parish churches with medieval panels related to those at Ranworth; since then, screens and panel paintings from other churches have been suggested, all dating from 1470 – c.?1500. The Ranworth group is also related by the way the framed were jointed during construction, and the depiction of tiles and the use of similar and identical stencils in the panel paintings. There is evidence that the rood screens were made in the same workshop before being painted by unnamed artists in situ. ========================== Please see my other auctions   Thank You Refund Policy: We will issue a FULL REFUND, 100% money back if you are not satisfied with your purchase. Items must be returned to us within 20 days in order to receive a refund or replacement. Buyer is responsible for shipping costs. Powered by SixBit's eCommerce Solution

• Topic:Historical
• Binding:Softcover, Wraps
• Subject:Illustrated
• Language:English
• Original/Facsimile:Original
• Year Printed:1867